Sabtu, 27 September 2014

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  • Sales Rank: #9493255 in Books
  • Published on: 1994
  • Number of items: 2
  • Binding: Hardcover

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From simple carvings in stone to monumental moder-day works, "A Child's History of Art: Sculpture" traces the evolution of sculpture through the ages. Discover such treasures as the Greek marbles, Michelangelo's "David", and the Statue of Liberty, plus meet the artists who created them.

  • Sales Rank: #1000766 in Books
  • Published on: 2004
  • Binding: Paperback

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Kamis, 25 September 2014

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  • Published on: 2011-01-05
  • Number of items: 2
  • Binding: Paperback

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Selasa, 23 September 2014

[C238.Ebook] PDF Download Rick Steves' Pocket London, by Rick Steves, Gene Openshaw

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Rick Steves' Pocket London, by Rick Steves, Gene Openshaw

Rick Steves' Pocket guidebooks truly are a “tour guide in your pocket.” Each colorful, compact book includes Rick's advice for prioritizing your time, whether you're spending one or seven days in a city. Everything a busy traveler needs is easy to access: a neighborhood overview, city walks and tours, sights, handy food and accommodations charts, an appendix packed with information on trip planning and practicalities, and a fold-out city map.

Included in Rick Steves' Pocket London—
Sights: the National Portrait Gallery, Courtauld Gallery, Tate Britain, Tate Modern, Victoria and Albert Museum, and the Bankside Walk
Walks and Tours: the Westminster Walk, Westminster Abbey Tour, National Gallery Tour, West End Walk, British Museum Tour, British Library Tour, The City Walk, St. Paul's Cathedral Tour, and Tower of London Tour

  • Sales Rank: #70666 in Books
  • Brand: Liberty Mountain
  • Published on: 2014-05-20
  • Released on: 2014-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x .63" w x 4.50" l, .50 pounds
  • Binding: Paperback
  • 232 pages
Features
  • Rick Steves' Guides
  • Rick Steves
  • Rick Steves' Pocket London

About the Author
Rick Steves has spent 100 days every year since 1973 exploring Europe. Rick produces a public television series (Rick Steves' Europe), a public radio show (Travel with Rick Steves), and an app and podcast (Rick Steves Audio Europe); writes a bestselling series of guidebooks and a nationally syndicated newspaper column; organizes guided tours that take thousands of travelers to Europe annually; and offers an information-packed website (RickSteves.com). With the help of his hardworking staff of 80 at Europe Through the Back Door—in Edmonds, Washington, just north of Seattle—Rick's mission is to make European travel fun, affordable, and culturally broadening for Americans.

Gene Openshaw is a writer, composer, tour guide, and lecturer on art and history. Specializing in writing walking tours of Europe's cultural sights, Gene has coauthored 10 of Rick's books and contributes to Rick's public television series. As a composer, Gene has written a full-length opera (Matter), a violin sonata, and dozens of songs. He lives near Seattle with his daughter, and roots for the Mariners in good times and bad.

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35 of 37 people found the following review helpful.
Good book, but go straight for the full Rick Steves London guidebook instead
By Alexis
This is a great book that I bought in conjunction with the England DVD and full London guidebook by Rick Steves, Of all three, this was perhaps the least useful to me. The DVD gave me the main ideas of what I wanted to do during my 10 day London vacation, and the full guidebook helped me plan out all the details. The pocket guide, while a nice colorful little book, was not really needed. I didn't even take it with me to London, and just took the full guidebook instead. The one part of the pocket guide I did take and use constantly during my trip was the tear out map in the back of the guide. This alone was worth the price of the book. I loved it not only for the street map, but also for the tube map on the back. The only thing to note is that it is more of a major streets only map, and when I needed a more detailed street map, I had to pull out my London Streetwise map that I had purchased separately.

37 of 38 people found the following review helpful.
Just right for a short visit
By mountain doc
Good enough for a short trip. It hits the major sights in Central London and the Pocket London is much handier than his full-size guides. The detachable map in the back was helpful and it includes a Tube map for Zone 1.

If you plan to spend more than 2 days in London, I would recommend getting Rick Steves' London instead of Rick Steves' Pocket London.

5 of 5 people found the following review helpful.
Terrible binding, pages falling out
By Rachael
To be clear, this review is for the physical product, not the content. I love Rick Steves for European travel and recommend his guides to everybody. But this book had HORRIBLE binding. So many pages have fallen out that it's almost unusable -- it would certainly be unusable while traveling as I'd be losing pages left and right. Sadly I didn't begin reading the book until after Amazon's return window so I'm unable to return and had to buy again. Hopefully the second copy has a better binding than the first.

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Sabtu, 20 September 2014

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  • Binding: Hardcover

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Rabu, 17 September 2014

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Reading Children's Literature: A Critical Introduction, by Carrie Hintz, Eric Tribunella

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Reading Children's Literature: A Critical Introduction, by Carrie Hintz, Eric Tribunella

Informed by recent scholarship and interest in cultural studies and critical theory, Reading Children's Literature: A Critical Introduction is a compact core text that introduces students to the historical contexts, genres, and issues of children's literature. A beautifully designed and illustrated supplement to the individual literary works assigned, it provides helpful apparatus that makes it a complete resource for working with children's literature both during and after the course. View the flyer.

  • Sales Rank: #30660 in Books
  • Brand: Brand: Bedford/St. Martin's
  • Published on: 2013-01-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .75" w x 6.48" l, 1.30 pounds
  • Binding: Paperback
  • 496 pages
Features
  • Used Book in Good Condition

About the Author
�Carrie Hintz is an associate professor of English and teaches Children’s and Young Adult Literature at Queens College/CUNY and The Graduate Center, CUNY.� She is the author of An Audience of One: Dorothy Osborne’s Letters to Sir William Temple, 1652-1654 (University of Toronto Press, 2005) and the co-editor, with Elaine Ostry, of Utopian and Dystopian Writing for Children and Young Adults (Routledge, 2003).� She recently co-edited, with Kate Broad and Balaka Basu, Contemporary Dystopian Fiction: Brave New Teenagers (forthcoming from Routledge, 2013).� She has also published articles in the fields of seventeenth-century literature and life writing.� She served as President of the Society for Utopian Studies from 2006 to 2010, and she continues to write about the politics and aesthetics of speculative fiction for children and young adults.�Eric L. Tribunella is an associate professor of English at the University of Southern Mississippi.� His research interests include children’s and young adult literature, lesbian and gay literature, and gender and sexuality studies.� He is the author of Melancholia and Maturation: The Use of Trauma in American Children's Literature (U. of Tennessee Press, 2010) and has published a number of articles in journals such as Children’s Literature, Children’s Literature Association Quarterly, The Lion and the Unicorn, and Children’s Literature in Education.����

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6 of 6 people found the following review helpful.
A good read
By S
I had to purchase this book for my Children's lit. English class. I read the entire book yesterday even though the class isn't for another couple weeks. I found it to be a really well written critical look on the different issues that surround children's literature. At first I was surprised there was so much controversy in writing for children but it makes sense. Teachers, book authors, and parents alike use children's books as a tool to indoctrinate/instill values and knowledge in children so of course it's controversial.

Some of the issues the book looks at were:

Which books should be used in schools? The most neutral/unoffensive books or the most thought provoking?

At what age should children be exposed to controversial topics in school? Before they have critical thinking skills (when they just believe whatever you tell or read to them) or after (when they can think for themselves)?

Who has more of a right to instill values - parents or teachers? What if the parent disagrees with the values the teacher wants to instill through their choice of classroom books? [Unlike most of the other chapters I felt like this issue/chapter was a little too biased. It heavily favored the teachers while trivializing the parents concerns.]

Should books that offend be banned or censored?

Can an author of one race write about the experiences of another race?

If a person of one race/culture writes down the folk stories of another race/culture who should own the rights?

0 of 0 people found the following review helpful.
A must for children's lit
By BookWorms
Reading Children's Literature is an engaging and well written look at the history and complexity of children's literature. It covers fairy tales, poetry, picture books, nonfiction, adventure, fantasy, and much more, with especially interesting chapters on representations of race and gender and on controversies surrounding censorship. What really sets this book apart is its research and thoroughness -- Hintz and Tribunella cover a great deal of ground but their treatment never feels cursory. The discussion questions, activities, and suggested readings at the end of each chapter will be useful for even seasoned teachers of children's lit. The photographs are especially wonderful and capture the delight of children's literature while illustrating salient points.

0 of 0 people found the following review helpful.
Great for Reading OK for Teaching
By Elisabeth Johnson
The critical introduction is thoughtfully composed through concepts and language that invite upper level undergraduates into some early analytical conversations about children's literature. I was sorely dissatisfied with the teaching ideas, but think that otherwise the text is fantastic. I suggest coupling it with Leland, Lewison & Harste's Teaching Children's Literature: It's Critical! for a perfect "textbook" set.

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[F823.Ebook] Ebook Free The Guardians: The League of Nations and the Crisis of Empire, by Susan Pedersen

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The Guardians: The League of Nations and the Crisis of Empire, by Susan Pedersen

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The Guardians: The League of Nations and the Crisis of Empire, by Susan Pedersen

Winner of the Cundill Prize in Historical Literature
Shortlisted for the Lionel Gelber Prize

At the end of the First World War, the Paris Peace Conference saw a battle over the future of empire. The victorious allied powers wanted to annex the Ottoman territories and German colonies they had occupied; Woodrow Wilson and a groundswell of anti-imperialist activism stood in their way. France, Belgium, Japan and the British dominions reluctantly agreed to an Anglo-American proposal to hold and administer those allied conquests under "mandate" from the new League of Nations. In the end, fourteen mandated territories were set up across the Middle East, Africa and the Pacific. Against all odds, these disparate and far-flung territories became the site and the vehicle of global transformation.

In this masterful history of the mandates system, Susan Pedersen illuminates the role the League of Nations played in creating the modern world. Tracing the system from its creation in 1920 until its demise in 1939, Pedersen examines its workings from the realm of international diplomacy; the viewpoints of the League's experts and officials; and the arena of local struggles within the territories themselves. Featuring a cast of larger-than-life figures, including Lord Lugard, King Faisal, Chaim Weizmann and Ralph Bunche, the narrative sweeps across the globe-from windswept scrublands along the Orange River to famine-blighted hilltops in Rwanda to Damascus under French bombardment-but always returns to Switzerland and the sometimes vicious battles over ideas of civilization, independence, economic relations, and sovereignty in the Geneva headquarters. As Pedersen shows, although the architects and officials of the mandates system always sought to uphold imperial authority, colonial nationalists, German revisionists, African-American intellectuals and others were able to use the platform Geneva offered to challenge their claims. Amid this cacophony, imperial statesmen began exploring new means - client states, economic concessions - of securing Western hegemony. In the end, the mandate system helped to create the world in which we now live.

A riveting work of global history, The Guardians enables us to look back at the League with new eyes, and in doing so, appreciate how complex, multivalent, and consequential this first great experiment in internationalism really was.

  • Sales Rank: #141929 in Books
  • Published on: 2015-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.40" h x 1.80" w x 9.30" l, .0 pounds
  • Binding: Hardcover
  • 592 pages

Review

"With The Guardians, Susan Pedersen has produced an impressive, deeply researched and extremely engaging history of the mandates system, which was a key component among the League's founding tasks Pedersen provides the first genuinely new history on the Mandates as a complete system since the 1940s Pedersen also writes beautifully, with an eye for the sharply-framed insight This is a book to be read and not simply consulted: written with verve, sympathy, and, in places, humour, it is an engaging and genuinely accessible work of scholarship. Its arguments will deservedly frame all scholarly discussion of the mandates system, and much on the League of Nations as a whole, for some time to come."--Andrew Webster, H-Diplo"


"Pedersen wraps these ironic narratives together into a remarkably coherent and readable origin story of our contemporary world...The depth and authority of her scholarship is rooted in her impressive (at times astonishing) grasp of the relevant sources, including a host of national and thematic historical literatures as well as primary materials, in multiple languages and on multiple continents. As a factual exposition, compelling interpretation, and multi-archival excavation of the mandates system's history, The Guardians is unsurpassed and likely to remain so for a long time."--Trygve Throntveit, H-Diplo


"Pedersen's account is so effective because she fully inhabits the minds of these European elites. Her prose captures their confident legalism and pretense to civilization, then juxtaposes these with the carnage they authorized There is much to engage with in Pedersen's rich and nuanced argument the book's greatest promise, in my view, is that it may inspire a new round of scholarship placing local history in dialogue with international institutions based in Europe The Guardians opens the door to research that may overturn not only our understanding of global politics after the 1919 Wilsonian moment but also reinvent the discipline of international history itself."--Elizabeth F. Thompson, H-Diplo


"This book provides answers to more than one essential historical question of our time, nearly a century after the League's optimistic formation By pioneering an internationalist approach to interwar imperial history through the lens of the League, Pedersen's work asks for similar work to be undertaken from other historical vantage points. Having done so much, her work reveals how much is still to be done."--Meredith Terretta, H-Diplo


"The main contribution and originality of Susan Pedersen's book is to show how an international institution like the League of Nations Permanent Mandates Commission came to have a life of its own, independently of its stakeholders All in all, this book will be of interest not only to historians but also to specialists in international relations and political scientists working on international institutions."--Veronique Dimier, H-Diplo


"In recent years, few scholars have done more than Susan Pedersen to take us, as she once put it, "back to the League of Nations." Now, with The Guardians: The League of Nations and the Crisis of Empire, she presents an extensively researched, elegantly written, and boldly argued case for the significance of the League's Mandate system in the international history of the interwar years The Guardians tells a rich and important story "--Erez Manela, H-Diplo


"Susan Pedersen has produced an instant classic, a work of extraordinary range that is without question the most insightful and carefully researched study of the mandates system currently available. It will remain a touchstone for all future discussion of this system, as well as of its complex and variegated implications for subsequent exercises in nation- and statebuilding. It should-and doubtless shall-be read (and reread) widely."--Law and History Review


"The first indispensable book written on a critical subject in 50 years! 'The Guardians' is a magnificent book. Telling a complex yet compelling story, it deserves to be read by anyone interested in the European overseas empires during a crucial epoch of world history."
--Wall Street Journal


"A richly detailed study...her book shows that the conventional wisdom about the League will not do."-Financial Times


"The Guardians is not simply a brilliant, beautifully executed study of the League as a major actor in the interwar years. It is also a cautionary tale about international governance today."-Barbara J. Keys, Diplomatic History


"Impressive...Joining a global scope to deep archival research, Susan Pedersen reveals the process by which a group of supposedly apolitical technocrats at the League helped to create a new kind of international politics and to destroy the imperial order they had set out to protect."-Dissent


About the Author

Susan Pedersen is Professor and James P. Shenton Professor of the Core Curriculum at Columbia University. She specializes in British history, the British Empire, comparative European history, and international history. She is the author of several books, including Eleanor Rathbone and the Politics of Conscience.

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18 of 23 people found the following review helpful.
The Guardians by Susan Pedersen
By J. Hamby
In a time when the likes of Downton Abbey has taken the literary world by, well not storm so much as a long (suffering) sigh, this is a wonderful look at the period that gets tossed around fictionally a bit too much.

By this I mean that it seems that every Edwardian novel has to have WWI looming. Changing. Horrifying. Yet it comes off glib and the changes that took place after seem more in tune to making sure the heroine gets a job, bobs her hair and dances to ragtime.

I know true historians are probably clicking off this review by now. If you stay I can say that Pedersen is sharp and detailed and explores territory that I found fresh and yet substantive. This is a wonderfully close and personal look at the figures that helped set up the stage not just for the next conflict but also the more successful attempt to prevent a third.

It also looks at how the old guard and the emerging new guard saw the world and how it should, could and would change. And how it shouldn't, couldn't and wouldn't. These are larger than life individuals who alone could support a biography of interest. Bringing them together in one study though doesn't detract any and paints the larger picture with plenty of small detail. This is a historical study that reads as fast and sure as many fiction and shows why television and film often so much fails in capturing the fascinating elements that make history. And of course make history come alive.

For me it was a book that not only had me scrambling to see what Wikipedia had to say but also find as many old maps of the time as well. Many of the lines drawn and erased are what we still deal with today and reminded me how far we have come in some regards and how much we still think with a mindset that goes back a almost a hundred years when we think of nations what it means to define such -- as a member of one and as the outsider to the rest. As archaic as we might find some these fascinatingly drawn individuals by Pedersen, she is good at presenting them in a way that also lets us, sadly in some cases I suspect, identify with their ambitions and conceits.

3 of 3 people found the following review helpful.
Extremely infromative and very readable for the non-academic
By Mike B.
Extremely informative and based on massive research of the Mandate Commision. It is well organized and and very readable for the non-academic. If had it to do over again, I would not , however, choose the Kindle version. I found accessing the notes in this book to be very inconvenient using my Kindle Paperwhite. This has not been the case with other Kindle versions I have purchased. Having said that, the book itself is a wonderful read.

9 of 12 people found the following review helpful.
The League of Extraordinary Gentlemen (and One Woman)
By Anthony ramirez
That the League of Nations was a spectacular failure (it dissolved in 1939 with the beginning of World War II) has blotted out its memory. A pity.

This new scholarly book argues that the league of extraordinary gentlemen (and one woman) partly made (mostly made?) the world we know today.

I love the author's voice. It is authoritative, ironic, tart. She is of the School of Edward Gibbon (no one will ever succeed him; none can ever replace him).

Pounce.

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Selasa, 16 September 2014

[K739.Ebook] Ebook Download Two Men Fighting in a Landscape, by Bill Christophersen

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Two Men Fighting in a Landscape, by Bill Christophersen

“Whitman knew it, and Guthrie knew it, and Bill Christophersen knows it: This land is yours and mine, but only if we say so. In Two Men Fighting in a Landscape, Christophersen lays claim to a childhood with the doo-wop singers and straphangers of the Bronx, a near death escape under a landing helicopter, a breakup amidst the ruins of the World’s Fair, a handful of imagined livelihoods, a parodist’s reading of the Great Poems, and a serious and beautiful translation of the Anglo-Saxon “The Wanderer.” Then, having made all this his own, he offers it to us, our land, recognizable and right here in our hands.”
—Jordan Smith
“Finishing this book is like going home after an extravagant banquet: I’m stuffed, staggering, but sorry it’s over and feeling incredibly lucky to have been invited. The language has made everything I’ve been told happen right here, not before me but around me, and including me in the action, whether the lines convey words exchanged at a deathbed, a photograph, or a spattering of perfect details that capture the Bronx. The menu includes experimental sonnets, free verse and formal work; provocative responses to Shakespeare, Wordsworth, Pope, Frost, and Yeats, among others; ekphrastic poems that draw the reader into the visual work by both the senses and the mind; elegies that touch on the live core of now-permanently unsettled relationships; vignettes of characters in different occupations, viewed in a surprising light. For passages that, once read, become unforgettable personal experiences, see “Elegy for a Pencil,” “Meditation on a Quip by Frost,” “Veteran,” and the morally blistering “An Essay on Pope.” By the time you arrive at the surprising closing treat—a translation of “The Wanderer” that takes you into a medieval mind as if the man thinking back on his life were alive at your door—you will be infinitely glad you were invited to this feast.”
—Rhina P. Espaillat

  • Sales Rank: #1212382 in Books
  • Published on: 2015-08-13
  • Original language: English
  • Dimensions: 9.00" h x .27" w x 6.00" l,
  • Binding: Paperback
  • 118 pages

About the Author
Bill Christophersen was born and raised in the Bronx. He attended Columbia University, where he studied poetry with Kenneth Koch, Jill Hoffman and David Shapiro and received a Ph.D. in American literature. His poems have won awards from Kansas Quarterly and The Robinson Jeffers Tor House Foundation and been nominated several times for a Pushcart Prize, as well as for inclusion in Best New Poets. His book reviews and critical essays on poetry have appeared in Newsweek, The New York Times Book Review, The American Book Review, Poetry, Shenandoah and elsewhere. The author of The Apparition in the Glass: Charles Brockden Brown’s American Gothic (University of Georgia Press), he lives and works in New York and plays traditional and bluegrass fiddle.

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4 of 4 people found the following review helpful.
Scraps Into Art -- Poetry by Bill Christophersen
By Tom Phillips
Some poets are good at conveying the menace of the city, the dangers of life. Others pull back into a contemplative, pastoral calm. Bill Christophersen’s great challenge is to give us both at once. The title poem, “Two Men Fighting in a Landscape” sums it up: A bloody battle in the foreground, dawn breaking silently on the horizon. As the Incredible String Band put it, it’s a “troubled voyage in calm weather.”

In “Streetscape with Blazing Locusts,” the poet tells us that he lives on a mean street, on the edge of Harlem, where not long ago he was held up at gunpoint and lost his front teeth in the ensuing struggle. Despite friends’ entreaties, he declines to move, attached as he is to the beauty of his surroundings. This he finds on the pavement on a brilliant day after a Halloween rainstorm, when the “..broken sidewalk squares of run-down side streets/ mimic stained-glass windows for a couple of hours.”

“The Bee-Loud Glade,” is a takeoff on Yeats’s “Lake Isle of Innisfree.”

“I should arise and go now; but
Something roots me here:
paralysis of purpose? striped
chemistry of fear?

No oracle but this hornet’s nest
whose dark eye stares me down.
A poet is a fool. I’ll
Take my chances in the town.”

This city-country theme is just the surface of a collection that tackles the deepest questions of life, again and again in dialogue with poets and poetry, past and present. Robert Frost says free verse is like tennis with the net down. Writing with the net up, Bill defends free verse in his own terms – formal poetry is like swimming in lanes, free verse bodysurfing in the ocean.

A chance encounter with Galway Kinnell leads to decades of meditation on the art and craft of poetry, and the gift of a poem to the master.

Full disclosure: Bill Christophersen has been a close friend of mine for nearly forty years, a twin fiddler and fellow scribe. I love the guy, but it took reading this book to fully appreciate him. His greatest talent is to take scraps of things and fashion them into works of art – see his solo recording of fiddle tunes “Hell and High Water.” That’s what he does in this collection, divided into four parts. “”Old Movies” is about growing up in the Bronx; “Walks of Life” his observations of surfers, fishermen, comics, copy editors, high rollers, runners and best of all – ironworkers in a skyscraper, eating lunch on a girder 69 floors up, walking the iron planks where, like everywhere, “the only peace we know is contingent..” “Flight Patterns” pulls back and tries to take in the panorama of life and death on earth. And the last section, “Two Men Fighting in a Landscape,” peeks into eternity, sees Jacob wrestling God to a draw, and wants to know “what’s the take-away?”
He caps it all with a stunning epilogue, reaching all the way back to the origins of English poetry: a translation from Anglo-Saxon of “The Wanderer.” The hero is a lonely vagabond, wracked with cares, making his way through a landscape of loss, keeping his cares locked away in “soul’s strongbox.” And the very last sentence of a poem -- of a book -- lashed with doubts and fears, is a simple affirmation of faith.
-- Tom Phillips

1 of 1 people found the following review helpful.
A Fine Collection from a Poet Who Deserves More Attention
By jim bourey
This is a terrific collection of poetry. It is smart but never self-impressed. It uses language in ways that are wonderfully full in their imagery. Some of the poems take a couple readings to work through the layers Mr. Christophersen paints one upon another. Many of the poems are full of wit and a quietly self-deprecating tone. I would find it hard to list my favorites in this varied and diverse collection. Every poem was interesting. Every poem was fun to read even when delivering an emotionally strong and sometimes disturbing impact. If you love poetry you'll love this book. If you don't like poetry this one might possibly change how you feel. I recommend it heartily.

0 of 0 people found the following review helpful.
A Wonderful Poetic Journey
By James Garber
Bill Christophersen is a language magician who invites you into each poem then entices you to read and read again and with each reading acquire a deeper understanding. I thoroughly enjoyed the journey.

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Kamis, 11 September 2014

[A581.Ebook] PDF Download Marriage & Families: Diversity and Change : Study Guide, by Mary Ann Schwartz, Barbara Marliene Scott

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Marriage & Families: Diversity and Change : Study Guide, by Mary Ann Schwartz, Barbara Marliene Scott

  • Sales Rank: #10556245 in Books
  • Published on: 1997-02
  • Original language: English
  • Number of items: 5
  • Dimensions: 11.25" h x 8.50" w x .75" l,
  • Binding: Paperback

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[N179.Ebook] Ebook Save Twilight: Selected Poems (City Lights Pocket Poets Series) (Spanish Edition), by Julio Cortázar

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Save Twilight: Selected Poems (City Lights Pocket Poets Series) (Spanish Edition), by Julio Cortázar

The power of Eros, the enduring beauty of art, a love-hate nostalgia for his Argentine homeland, the bonds of friendship and the tragic folly of politics are some of the themes of Save Twilight. Informed by his immersion in world literature, music, art, and history, and most of his own emotional geography, Cort�zar’s poetry traces his paradoxical evolution from provincial Argentinean sophisticate to cosmopolitan Parisian Romantic, always maintaining the sense of astonishment of an artist surprised by life.

  • Sales Rank: #982923 in Books
  • Brand: Brand: City Lights Publishers
  • Published on: 2001-01-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 6.30" h x .40" w x 4.80" l, .31 pounds
  • Binding: Paperback
  • 172 pages
Features
  • Used Book in Good Condition

Review
After Such Pleasures
After The Party
Air Of The South
Autumn Summary
Blue Funk
The Brief Love
The Ceremony
Chronicle For Caesar
Clearance Sale
Clearcut
Dream On Fearlessly, Friend
Friends
The Future
Get A Move On
The Getaway Polka
The Gods
The Good Boy
The Happy Child
Happy New Year
The Hero
If I'm To Live
Infinite Voyage
Inflation Lies
The Knitters
Law Of The Poem
Le Dome
A Love Letter
Maybe The Most Beloved
Milonga
Moths
Nocturne
The Other
Poem
Polychrony
The Pretender
Profit And Loss
Return Trip
Sidewalks Of Buenos Aires
A Song For Nina
A Sonnet In A Pensive Mood
Speak, You Have Three Minutes
Stele At A Crossroads
Time's Distribution
To A God Unknown
To A Woman
To Be Read In The Interrogative
The Visit
-- Table of Poems from Poem Finder�

Language Notes
Text: English, Spanish (translation)
Original Language: Spanish

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1 of 6 people found the following review helpful.
Boring, Surprisingly Shallow
By A. D. hodgson
I like Cortazar, I've read two novels and definitely recommend Hopscotch. 62: A Model Kit, is so-so. I recommend it if you've already read Hopscotch and love it and want another experimental novel about intellectuals lounging around and not doing much (Cortazar is not that unlike Seinfeld, but on a metaphysical and metaphorical instead of pop cultural level). These poems though let me down, I found them surprisingly shallow as you can possibly tell from the title of this review and none of them had any feeling or impact on me. None sounded great while seeming hollow to me. I think Cortazar was not much of a poet and those who say otherwise are probably fans of Cortazar more than of poetry. So unless Cortazar is one of your favorite writers, I would stay away from this one. Also its pretty expensive and once it arrives its tiny. If you don't trust me, you'll see.

11 of 11 people found the following review helpful.
"If I'm to live without you, let it be hard and bloody"
By EriKa
Cortazar seizes the heart, the throat, the gut... every part of the body. As with most great poetry, critical and interpretive words will not suffice; poetry must speak for itself. Cortazar's simplicity and force lies in its ability to speak volumes all on its own. From his insistent "I accept this destiny of ironed shirts,/I get to the movies on time, I give my seat to old ladies." in "The Good Boy" to his exquisitely simple, "Everything I'd want from you/is finally so little/ because finally it's everything", Cortazar describes simply what it is to feel.
Most importantly, this book is in Spanish and English, so linguistic purists will be able to compare the original with the translation (which for me is also the mark of an excellent book.)

4 of 4 people found the following review helpful.
It'll leave you wondering...
By A Customer
... if you're dreaming, if you're breathing air or poetry. This book will make you want to write, it'll make you want to read it again and again, it'll sometimes leave you speechless and breathless, and some other times eager to go and tell others to read it. I must have read it as a whole at least eight times and some poems must've entered through my eyes at least 30 times. And I always return to it. It feels like home.

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